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Reviews
From part 3 of review by Marc Philip, Magazine Audio, Published February 2010.
For full review in English please go to:
http://magazine-hifi.info/blueberry-hill-audio-evo-v/
For full review in French please go to:
http://www.magazine-audio.com/2010/blueberry-hill-audio-evo-v/
"The EVO-V Blueberry Hill Audio is the best you can get if your intention is to get all the musicality from your vinyl records, I do not see any other product that will dethrone EVO-V, it is regarded as a reference in the field of analog high-end...."
Blueberry Hill Audio Cables - Part 1
In English:
http://magazine-hifi.info/blueberry-hill-audio/
by Marc Philip, Magazine Audio. Published November 2, 2009
Part one of our comparative test with cables Blueberry Hill Audio.
It is rare, as it is an almost unique for a manufacturer to invite us to compare his work and to compete without restriction and accepts our conclusions…
The trials:
Here are the points we set out to verify. Were the timbres natural? Were dynamics coupled with good tonal balance? The goal was to get a satisfyingly musical sound without any ifs, ands or buts.
Therefore I don't want to hear any aggressiveness or frequency bumps, for example a forward upper midrange at the limit of aggressiveness which would give the illusion of extended dynamics, or huge bass which overpowers the rest of the sonic spectrum and gives the impression of slowness, or a bass cutoff which gives a false impression of speed.
In conclusion, we need to hear a message which is musical and in phase, which means that all frequencies have to arrive at the speakers at the same time.
Marc Philip, publisher Magazine Audio
The most obvious effect was that the music emerged from a quieter background with greater clarity. I've heard this kind of thing before but this time it was really pronounced.
The differences turned out to be much larger than I had anticipated.
It is difficult to quantify sonic improvement of my system with the set of Blueberry Hill Audio cables, but it was significantly higher then 10%. I'll say 25%.
The opinion of Jean-Marc (Montreal), user / tester
This setup from Blueberry Hill Audio gave us an astonishingly balanced sound right away, a control of the whole spectrum, along with very impressive dynamics.
As soon as the Blueberry Hill cables were connected we asked ourselves where the speakers had disappeared to.
In conclusion we might mention detail, openness, exceptional voices, dynamics, all together with a fine tonal balance; in short, if you can afford them, it would be a good idea to listen to listen to the Blueberry Hill Audio cables before you replace the ones you have now.
The opinion of Yves Coulombe, (Center of Quebec), user/tester
Blueberry Hill Audio Cables - Part 2
by Marc Philip, Magazine Audio. Published November 9, 2009
Part two of our comparative test with cables Blueberry Hill Audio.
REVIEWS (part 3):
by Marc Philip, Magazine Audio. Published February 2010
- "The system EVO-I proved best in terms of dynamics, tonal balance and quality of timbre ....."
- "The EVO-V has a breathtaking dynamic ability ....., far superior to anything we have ever compared with........."
The sound difference between the EVO V-Blueberry Hill Audio vs. Audio-PS was very important ... more space between the instrument, much less background noise, a low-level cell (SUT forces) were able to get an amazing dynamic, with low solid digging to infinity, a brief listen very realistic and alive that we hang the smile which no one knows where the first measure.
Claude Turcotte said :
Marc Philip made a set of cables from the Blueberry Hill Audio line available to me about six weeks ago. He did the same with a set from another manufacturer just a few days ago.
The ones I fell in love with were from Blueberry Hill. After several hundred hours of listening, they are still a reference!
With the Blueberry Hill cables installed in my system, I finally found what I’d been looking for these last ten years: perfect timbres, deep, solid, articulate bass with authority and sweetness when required, highs that were precise and detailed without being aggressive and the most important thing for me, a midrange placed well forward, centered and realistic.
Suddenly the loudspeakers disappeared and music, not sounds, had pride of place.
Marc Philip said:
Follow the melody line faithfully, hear each sound with ease from the softest to the loudest, no matter what kind of system it was—within the limits of each system’s resolving power, this is what the Blueberry Hill cables let us do.
Even in a modest system, these new cables clearly made their contribution, even more than I had hoped.
The slight bloom was considerably reduced; the layering of the soundstage was three-dimensional to a disconcerting degree. How do they manage to get so many sounds out of such a system? And what to say about the background noise level, so low it was almost imperceptible?